De drie steden: Rome by Émile Zola

(1 User reviews)   113
By Alexander Bailey Posted on May 6, 2026
In Category - Open Shelf
Zola, Émile, 1840-1902 Zola, Émile, 1840-1902
Dutch
I just finished Émile Zola's *Rome*, and I’m still thinking about it. Imagine you’re a devout Catholic priest, all fire and faith, convinced that the Church has lost its way by chasing money and power. So you pour your soul into a radical new book, hoping to stir a revolution. Then, you’re called to the Vatican to answer for it. That’s Pierre Froment, our hero – or our fool? He arrives in the ancient, dusty, blindingly beautiful Rome, expecting to find wise men and secret meetings. Instead, he finds a city hustling for earthly deals, a Pope more worried about real estate than souls, and cardinals who look at him like he’s a lunatic. They might even put his book on the *Index* of forbidden works. But the real question isn’t just about Pierre’s future – it’s about whether honest, fiery belief can survive in a place that’s built more on history than on hope. Zola makes you feel the heat of the Roman sun and the chill of Vatican marble. This isn’t a calm history lesson; it’s a drama about one man struggling to keep his heart alive against the weight of two thousand years of stone and ambition. If you like stories about idealists who bang their heads against old, powerful systems, pick this up.
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So I finally got around to reading Émile Zola's *Rome*, the second book of his *Three Cities* trilogy. If you think your job is tough, meet Pierre Froment – young priest, total firebrand, wrote a book that a Pope might not like. All I can say is: it’s a wild ride through marble halls and back alleys.

The Story

Pierre Froment is a priest who cares deeply about the poor. So deeply, in fact, that he writes a book called *New Rome*, where he says the Catholic Church needs to go back to its simple, humble roots and drop all this show-off wealth and politics.

Cool right? Except Papa Leo XIII is not at all amused. Pierre gets called to the Vatican, basically on a 'cease and desist' notice. What follows is his crazy pilgrimage through the real Rome: from grimy slums to a palace stuffed with art, from meeting a starving artist to dining with a count who wants to invent a new religion. Pierre keeps thinking, 'When do I get to see the Holy Father? Time’s running out, his book’s about to be blocked!' And the frustration just builds like sweat on a hot afternoon in July.

Why You Should Read It

Honestly, this book felt weirdly modern. Pierre is this idealist who has a radical idea, puts it out there, and then runs straight into a machine that has been saying 'we already know best' for a thousand years. It’s the story of wanting to fix something you love, only to have the boss say 'shut up and sit down.'

What got me is Zola’s description of Rome. He doesn’t just see old ruins. He sees a city pretending to be holy but totally wrapped up in prestige, real estate deals, and politics. It’s a clash of two Romes – a church of power and a church of compassion. Then there's the contrast: the glowing, holy idea of the city versus the dusty, scam-filled reality. If you’ve ever cared about something too much and been crushed by a system too big to change, this book is for you.

Final Verdict

Pick this up if you enjoy a dramatic, deeply emotional story about faith under pressure. It’s perfect if you love philosophical fiction, simmering frustration, and a main character whose heart is just so, so desperate. Sure, slower bits could have been cut, but it leads to an incredible, world-shifting finale. Think less of a history lecture, more of a powerful novel where one person’s fire meets a wave of institutional resistance. You *will* root for Father Froment.”



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Jennifer Johnson
7 months ago

I was skeptical about the depth of this book at first, but the evidence-based approach makes it a very credible source of information. This exceeded my expectations in almost every way.

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