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“when I wasn’t laughing out loud I was beaming at the skill and nerve of it all. It’s sad and scintillating, a one-of-a-kind comic masterpiece.”
★★★★★
Dominic Maxwell, The Times
“hilarious… unlike-anyone-else”
Brian Logan, The Guardian ★★★★★
“delightful, poetic flourish defines all his work… brilliant”
Steve Bennett, Chortle ★★★★★
★★★★★
Dominic Maxwell, The Times
“hilarious… unlike-anyone-else”
Brian Logan, The Guardian ★★★★★
“delightful, poetic flourish defines all his work… brilliant”
Steve Bennett, Chortle ★★★★★
Mid-way through a sell-out and critically-acclaimed tour, winner of Edinburgh Comedy Award for Best Show and Best Newcomer and Taskmaster breakout star, John Kearns (Live at the Apollo, 8 Out of 10 Cats Does Countdown, Guessable) adds more dates to his latest stand-up show Tilting at Windmills to meet overwhelming demand for tickets. The legendary stand-up will now perform 80+ shows across the UK and Ireland, including his biggest performance to date and London’s iconic Palladium Theatre on Saturday 13th March 2027, following multiple sold-out shows on this tour already at the 1000 capacity venue Soho Theatre Walthamstow and Wilton’s Music Hall.
Tickets for the new tour dates go on sale at 10am on Friday 9th October with an exclusive fan pre-sale on Thursday 8th October for John’s mailing list subscribers. Full dates and tickets at johnkearnscomedy.co.uk
Directed by Olivier winner Jon Brittain (Baby Reindeer, Margaret Thatcher Queen of Soho), Tilting at Windmills is a fragmented, digressing portrayal of a 38-year-old man’s life, alluding to books he hasn’t read, touching on the modern condition. Plus VAT! More allusive and bleak as ever, it is unreal the comedian you become. And for who? Decent craic with the right crowd. A show for those who have read about but not committed to the Guinness Nitrosurge.
Twelve years on since he first debuted at the Edinburgh Fringe, John is still the only comedian to have ever won the Edinburgh Comedy Award for Best Show (Shtick) and Best Newcomer (Sight Gags for Perverts) in the awards forty-five-year history. An internationally acclaimed live act, he has delivered his “richly, idiosyncratic comedy” (The Guardian) across the world, notably picking up three Melbourne International Comedy Festival Award nominations along the way. Last year, John teamed up with fellow Edinburgh Comedy Award Winner Adam Riches to become one of music’s most bangable duos in Ball & Boe, imagining themselves as the nation’s favourite power balladeers, crooning and clowning their way through a set both affectionate tribute and gleeful parody. The show went on to enjoy a double run at Soho Theatre, a three-night sell-out at the Pleasance Grand during the Edinburgh Fringe and a host of 5-star reviews (★★★★★ The Telegraph, The Times, Chortle). John’s last and solo fifth stand-up hour, The Varnishing Days, was his biggest and most critically-acclaimed tour show to date. It was directed by Olivier Award-winning director Jon Brittain, won Best Show at the Chortle Awards 2024 and secured his third Melbourne International Comedy Festival Award nomination. The show was twice-extended due to demand to over 100 dates, with 17 sold-out London shows, including two sold-out Soho Theatre runs, multiple sell-out dates at Bloomsbury Theatre and two sold-out shows at the iconic Royal Court Theatre. The show was filmed and released as a special on Sky and Now TV in August 2024.
Elsewhere on television, John was a breakout star of series 14 of Taskmaster (Channel 4) and the co-host of Guessable (Comedy Central) with Sara Pascoe and team captain Alan Davies. He played the lead in cult hit Top Coppers (BBC Three) and has also appeared on shows including Live at the Apollo (BBC), 8 Out of 10 Cats Does Countdown (Channel 4), Never Mind the Buzzcocks (Sky) and Richard Osman’s House of Games (BBC). John’s further credits include Pls Like (BBC), Lazy Susan (BBC), Drunk History (Comedy Central), Rotters (Sky Arts), Alan Davies: As Yet Untitled (Dave), and Harry Hill’s Stars In Their Eyes (ITV). On radio, John co-wrote and starred in Lasties (BBC Radio 4) alongside Tim Key, entertained the nation on Christmas Day 2019 with A Very John Kearns Christmas (BBC Radio 4), and wrote and performed his own series The John Kearns Show (BBC Radio 4), as well as hosting and guesting on numerous shows throughout the Fringe (BBC Radio 4/Radio 4 Extra). Previously, John made his stage debut as Inspector Lestrade in the world premiere of Sherlock Holmes and The Twelve Days of Christmas at The Birmingham Rep, the comedy whodunnit was penned by Fringe-favourites The Penny Dreadfuls’ Humphrey Ker and David Reed, and featured new songs from Tim Rice and Andrew Lloyd Webber.
Twelve years on since he first debuted at the Edinburgh Fringe, John is still the only comedian to have ever won the Edinburgh Comedy Award for Best Show (Shtick) and Best Newcomer (Sight Gags for Perverts) in the awards forty-five-year history. An internationally acclaimed live act, he has delivered his “richly, idiosyncratic comedy” (The Guardian) across the world, notably picking up three Melbourne International Comedy Festival Award nominations along the way. Last year, John teamed up with fellow Edinburgh Comedy Award Winner Adam Riches to become one of music’s most bangable duos in Ball & Boe, imagining themselves as the nation’s favourite power balladeers, crooning and clowning their way through a set both affectionate tribute and gleeful parody. The show went on to enjoy a double run at Soho Theatre, a three-night sell-out at the Pleasance Grand during the Edinburgh Fringe and a host of 5-star reviews (★★★★★ The Telegraph, The Times, Chortle). John’s last and solo fifth stand-up hour, The Varnishing Days, was his biggest and most critically-acclaimed tour show to date. It was directed by Olivier Award-winning director Jon Brittain, won Best Show at the Chortle Awards 2024 and secured his third Melbourne International Comedy Festival Award nomination. The show was twice-extended due to demand to over 100 dates, with 17 sold-out London shows, including two sold-out Soho Theatre runs, multiple sell-out dates at Bloomsbury Theatre and two sold-out shows at the iconic Royal Court Theatre. The show was filmed and released as a special on Sky and Now TV in August 2024.
Elsewhere on television, John was a breakout star of series 14 of Taskmaster (Channel 4) and the co-host of Guessable (Comedy Central) with Sara Pascoe and team captain Alan Davies. He played the lead in cult hit Top Coppers (BBC Three) and has also appeared on shows including Live at the Apollo (BBC), 8 Out of 10 Cats Does Countdown (Channel 4), Never Mind the Buzzcocks (Sky) and Richard Osman’s House of Games (BBC). John’s further credits include Pls Like (BBC), Lazy Susan (BBC), Drunk History (Comedy Central), Rotters (Sky Arts), Alan Davies: As Yet Untitled (Dave), and Harry Hill’s Stars In Their Eyes (ITV). On radio, John co-wrote and starred in Lasties (BBC Radio 4) alongside Tim Key, entertained the nation on Christmas Day 2019 with A Very John Kearns Christmas (BBC Radio 4), and wrote and performed his own series The John Kearns Show (BBC Radio 4), as well as hosting and guesting on numerous shows throughout the Fringe (BBC Radio 4/Radio 4 Extra). Previously, John made his stage debut as Inspector Lestrade in the world premiere of Sherlock Holmes and The Twelve Days of Christmas at The Birmingham Rep, the comedy whodunnit was penned by Fringe-favourites The Penny Dreadfuls’ Humphrey Ker and David Reed, and featured new songs from Tim Rice and Andrew Lloyd Webber.
CRITICAL PRAISE FOR TILTING AT WINDMILLS SO FAR:
“the care, the craft and the many beautifully turned phrases of a comic… wonderstruck, workaday poetry”
★★★★
Brian Logan, The Guardian
“While Kearns doesn’t dwell on the relationship, there’s enough about the effect of it ending to turn an eccentrically funny show into something incredibly moving. Snippets about everything from Antiques Roadshow and his young son’s story preferences, to his own outrageous advice on what to do before a party, swirl around in a beautiful hour that’ll have you racing home to re-read TS Eliot’s The Waste Land”
★★★★
Ashley Davies, The Scotsman
“when I wasn’t laughing out loud I was beaming at the skill and nerve of it all. It’s sad and scintillating, a one-of-a-kind comic masterpiece.”
★★★★★
Dominic Maxwell, The Times
“Kearns’ classic comedy of despair rails against the human condition, hypnotically building a head of steam towards a lyrical punchline or comic denouement… Kearn’s light touch and self- deprecating tone ensures that we are never far from a laugh… [a] mesmeric brand of comic misanthropy”
★★★★
Mark Wareham, Mail on Sunday
“Tilting at The Windmills is more comic monologue than stand-up, but the gag count is high and it’s funny and poignant by turns”
★★★★
Veronica Lee, The Arts Desk
“literate, quirky, thoughtful comedy… Kearns’s artistry [is] actually very relatable, and come with huge laughs in his vivid, honest descriptions of optimism despite it all”
★★★★1/2
Steve Bennett, Chortle
“Kearns’ furious, tender and strident stand-up. Here’s what puts Kearns in a class of one: you’ll find plenty of Fringe performers who can do raw, or angry, or sad at the expense of the jokes. But few can hit all of those at the same time, and only Kearns can be uproariously funny while doing it…. Tilting at Windmills is a sublime, painful and hilarious vision of just how good stand-up can be”.
★★★★★
Samuel Cain, The Skinny
★★★★
Ashley Davies, The Scotsman
“when I wasn’t laughing out loud I was beaming at the skill and nerve of it all. It’s sad and scintillating, a one-of-a-kind comic masterpiece.”
★★★★★
Dominic Maxwell, The Times
“Kearns’ classic comedy of despair rails against the human condition, hypnotically building a head of steam towards a lyrical punchline or comic denouement… Kearn’s light touch and self- deprecating tone ensures that we are never far from a laugh… [a] mesmeric brand of comic misanthropy”
★★★★
Mark Wareham, Mail on Sunday
“Tilting at The Windmills is more comic monologue than stand-up, but the gag count is high and it’s funny and poignant by turns”
★★★★
Veronica Lee, The Arts Desk
“literate, quirky, thoughtful comedy… Kearns’s artistry [is] actually very relatable, and come with huge laughs in his vivid, honest descriptions of optimism despite it all”
★★★★1/2
Steve Bennett, Chortle
“Kearns’ furious, tender and strident stand-up. Here’s what puts Kearns in a class of one: you’ll find plenty of Fringe performers who can do raw, or angry, or sad at the expense of the jokes. But few can hit all of those at the same time, and only Kearns can be uproariously funny while doing it…. Tilting at Windmills is a sublime, painful and hilarious vision of just how good stand-up can be”.
★★★★★
Samuel Cain, The Skinny
“Tilting At Windmills is a kaleidoscopic, elusive hour from a restless comic mind, richly entertaining and characteristically heartful”
★★★★
Jay Richardson, The List
“It’s an assured hour from John Kearns…unexpected earnestness lends weight to the preceding silliness”
★★★★
Louis Cammell, Fest
“Words and images are eloquently chosen… This is not quite stand-up, not quite theatre… always compelling. He’s the ultimate consummate clown, squeezing out every possible droplet of comedy from personal tragedy”
★★★★★
Bruce Dessau, Beyond The Joke
★★★★
Jay Richardson, The List
“It’s an assured hour from John Kearns…unexpected earnestness lends weight to the preceding silliness”
★★★★
Louis Cammell, Fest
“Words and images are eloquently chosen… This is not quite stand-up, not quite theatre… always compelling. He’s the ultimate consummate clown, squeezing out every possible droplet of comedy from personal tragedy”
★★★★★
Bruce Dessau, Beyond The Joke
For more information please contact: Florrie Sheehan at [email protected] or 0207 598 7222
The post TASKMASTER STAR AND DOUBLE EDINBURGH COMEDY AWARD WINNER JOHN KEARNS TO PERFORM AT THE LONDON PALLADIUM AS PART OF TOUR EXTENSION OF SMASH HIT SHOW ‘TILTING AT WINDMILLS’ first appeared on Avalon.
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